Thursday, March 30, 2017
Black Women Making History
http://www.essence.com/celebrity/15-modern-day-black-women-who-made-history-their-firsts
Wednesday, March 29, 2017
Gaming the System
From OZY -
WHY TECH'S LATEST FASHION ACCESSORY IS A FACE MASK
By Leslie Nguyen-Okwu
These days, being online can feel like living in a glass house. According to a 2016 report from Georgetown Law’s Center on Privacy and Technology, about half of all U.S. adults can be found in one of the many facial recognition databases maintained by law enforcement. But never fear — there are ways to game the system. In an age when privacy often feels more like a luxury than a civil right, a creative cadre of artists, designers and makers are fashioning a new kind of camouflage for today’s intrusive digital era.
The privacy strategy of the photobomber, which retails for $288, revolves around glass nanospheres embedded in the fabric that reflect light in every direction, leaving your face eerily backlit and indiscernible, says Chris Holmes, a DJ who designed the cowled garb back in 2015. In London, designer Saif Siddiqui sews crystal spheres into an anti-paparazzi scarf ($362) that, like the hoodie, reflects camera flashes to obscure the wearer’s face. Austrian Wolf Prix brought Harry Potter’s invisibility cloak to life as the Jammer Coat; it incorporates metallic fabrics that can block radio waves, cellphone signals and tracking devices, providing off-the-grid anonymity even while the wearer is strolling busy city streets.
http://www.ozy.com/fast-forward/why-techs-latest-fashion-accessory-is-a-face-mask/76529
WHY TECH'S LATEST FASHION ACCESSORY IS A FACE MASK
By Leslie Nguyen-Okwu
These days, being online can feel like living in a glass house. According to a 2016 report from Georgetown Law’s Center on Privacy and Technology, about half of all U.S. adults can be found in one of the many facial recognition databases maintained by law enforcement. But never fear — there are ways to game the system. In an age when privacy often feels more like a luxury than a civil right, a creative cadre of artists, designers and makers are fashioning a new kind of camouflage for today’s intrusive digital era.
The privacy strategy of the photobomber, which retails for $288, revolves around glass nanospheres embedded in the fabric that reflect light in every direction, leaving your face eerily backlit and indiscernible, says Chris Holmes, a DJ who designed the cowled garb back in 2015. In London, designer Saif Siddiqui sews crystal spheres into an anti-paparazzi scarf ($362) that, like the hoodie, reflects camera flashes to obscure the wearer’s face. Austrian Wolf Prix brought Harry Potter’s invisibility cloak to life as the Jammer Coat; it incorporates metallic fabrics that can block radio waves, cellphone signals and tracking devices, providing off-the-grid anonymity even while the wearer is strolling busy city streets.
 | ||||
| Betabrand’s Flashback Photobomber Hoodie is coated with reflective glass nanospheres that thwart smartphone flash photos. | SOURCE COURTESY OF BETABRAND |
Love Notes
My favorite: #4
http://www.stumbleupon.com/su/1CMdLB/:1Fo2LAw7e:iMyIPL76/www.boredpanda.com/modern-relationship-love-notes
http://www.stumbleupon.com/su/1CMdLB/:1Fo2LAw7e:iMyIPL76/www.boredpanda.com/modern-relationship-love-notes
A Plain Old Box
From Upworthy -
Here's why American parents are now ditching expensive cribs for a simple, cardboard box.
EVAN PORTER
One of the biggest problems new parents in developed nations face is SIDS, or sudden infant death syndrome, which is exactly as frightening and unpredictable as it sounds.
Experts can't always pinpoint the cause of every death from SIDS, but more often than not, it has to do with unsafe sleeping environments that accidentally cut off the baby's air supply with blankets, toys, or other obstructions.
For years now, many of the world's leading countries in this area have had a secret weapon in the fight against SIDS: cardboard boxes.
Or "baby boxes" as they're known.
http://www.upworthy.com/heres-why-american-parents-are-now-ditching-expensive-cribs-for-a-simple-cardboard-box?c=upw1&u=6861cbea6edfdfe5a709ee39ad3c14b64135e61f
Here's why American parents are now ditching expensive cribs for a simple, cardboard box.
EVAN PORTER
One of the biggest problems new parents in developed nations face is SIDS, or sudden infant death syndrome, which is exactly as frightening and unpredictable as it sounds.
Experts can't always pinpoint the cause of every death from SIDS, but more often than not, it has to do with unsafe sleeping environments that accidentally cut off the baby's air supply with blankets, toys, or other obstructions.
For years now, many of the world's leading countries in this area have had a secret weapon in the fight against SIDS: cardboard boxes.
Or "baby boxes" as they're known.
http://www.upworthy.com/heres-why-american-parents-are-now-ditching-expensive-cribs-for-a-simple-cardboard-box?c=upw1&u=6861cbea6edfdfe5a709ee39ad3c14b64135e61f
Tuesday, March 28, 2017
94-year-old woman celebrates 44 years working at McDonald’s
http://www.slate.com/blogs/xx_factor/2017/03/27/_94_year_old_loraine_maurer_has_worked_at_mcdonald_s_in_indiana_for_44_years.html
There Was no Pull
From VPR -
Why Is Vermont So Overwhelmingly White?
By ANGELA EVANCIE & REBECCA SANANES
“In terms of immediacy, there isn't an established community of color here in Vermont. And there is a historic reason for that,” says C. Winter Han, an associate professor of sociology at Middlebury College and the author of the book Geisha of a Different Kind: Race and Sexuality in Gaysian America. “Because clearly there were many places that at one time in history were not very diverse, like Chicago or New York or Philadelphia — there really was a time when those cities were almost uniformly white. And yet over time, for different reasons, for different groups, they became much more diverse.”
Professor Han says these transformations weren’t arbitrary.
“There is this pattern of migration that most places where people go, they go because there's already an established connection between the place that that is sending migrants and the place that is receiving them.
This theory of immigration is often referred to as “push and pull.” And if you take the long view of Vermont’s history, when it comes to a particular demographic — African-Americans — there was no "pull" to Vermont.
http://digital.vpr.net/post/why-vermont-so-overwhelmingly-white#stream/0
Why Is Vermont So Overwhelmingly White?
By ANGELA EVANCIE & REBECCA SANANES
“In terms of immediacy, there isn't an established community of color here in Vermont. And there is a historic reason for that,” says C. Winter Han, an associate professor of sociology at Middlebury College and the author of the book Geisha of a Different Kind: Race and Sexuality in Gaysian America. “Because clearly there were many places that at one time in history were not very diverse, like Chicago or New York or Philadelphia — there really was a time when those cities were almost uniformly white. And yet over time, for different reasons, for different groups, they became much more diverse.”
Professor Han says these transformations weren’t arbitrary.
“There is this pattern of migration that most places where people go, they go because there's already an established connection between the place that that is sending migrants and the place that is receiving them.
This theory of immigration is often referred to as “push and pull.” And if you take the long view of Vermont’s history, when it comes to a particular demographic — African-Americans — there was no "pull" to Vermont.
http://digital.vpr.net/post/why-vermont-so-overwhelmingly-white#stream/0
Zydeco is Calling
From the New york Times -
Accordions, Étouffée and Nonstop Dancing in a Zydeco Capital
By CHRIS WOHLWEND
As 8 a.m. approached on a spring Saturday, a crowd of 70 to 80 patiently waited outside the front door of a cafe in the hamlet of Breaux Bridge in the heart of Louisiana’s Cajun country. Inside, Cedryl Ballou & the Zydeco Trendsetters were finishing their sound-check as bartenders filled cups with Bloody Mary and mimosa mixers.
As the door opened, the distinctive sounds of accordion and washboard announced that another zydeco breakfast had begun in this town along Bayou Teche.
The dance floor began to fill with the first accordion runs and was packed by the start of the second tune. Many of the dancers had begun lining up outside as early as 6:30 a.m.
Eggs, zydeco and dancing are a year-round Saturday morning tradition in Breaux Bridge, but on this particular morning in late April last year, the crowd also included a smattering of partyers from the Festival International de Louisiane in nearby Lafayette, including a group from the French-speaking Caribbean island of Martinique.
The breakfast crowd is a microcosm of Louisiana’s culture, both Creole and Cajun, a culture heavily seasoned with zydeco music. And that is what the festival, which began in 1987, is about. Lafayette will welcome an estimated 300,000 revelers over five days, April 26 to 30, with the peak attendance on Friday and Saturday. The music will include zydeco along with its antecedents and influences from Africa, the Caribbean, Europe and Southeast Asia.
https://www.nytimes.com/2017/03/28/travel/louisiana-zydeco-music-capital-accordions-etouffee-dancing.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=mini-moth®ion=top-stories-below&WT.nav=top-stories-below&_r=0
Accordions, Étouffée and Nonstop Dancing in a Zydeco Capital
By CHRIS WOHLWEND
As 8 a.m. approached on a spring Saturday, a crowd of 70 to 80 patiently waited outside the front door of a cafe in the hamlet of Breaux Bridge in the heart of Louisiana’s Cajun country. Inside, Cedryl Ballou & the Zydeco Trendsetters were finishing their sound-check as bartenders filled cups with Bloody Mary and mimosa mixers.
As the door opened, the distinctive sounds of accordion and washboard announced that another zydeco breakfast had begun in this town along Bayou Teche.
The dance floor began to fill with the first accordion runs and was packed by the start of the second tune. Many of the dancers had begun lining up outside as early as 6:30 a.m.
Eggs, zydeco and dancing are a year-round Saturday morning tradition in Breaux Bridge, but on this particular morning in late April last year, the crowd also included a smattering of partyers from the Festival International de Louisiane in nearby Lafayette, including a group from the French-speaking Caribbean island of Martinique.
The breakfast crowd is a microcosm of Louisiana’s culture, both Creole and Cajun, a culture heavily seasoned with zydeco music. And that is what the festival, which began in 1987, is about. Lafayette will welcome an estimated 300,000 revelers over five days, April 26 to 30, with the peak attendance on Friday and Saturday. The music will include zydeco along with its antecedents and influences from Africa, the Caribbean, Europe and Southeast Asia.
https://www.nytimes.com/2017/03/28/travel/louisiana-zydeco-music-capital-accordions-etouffee-dancing.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=mini-moth®ion=top-stories-below&WT.nav=top-stories-below&_r=0
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