Who Decides Who's Black Enough?

An excerpt from the LA Times - 

Opinion: Denigrating Drake, and Kamala Harris, as ‘Not Like Us’

By Michael Eric Dyson

Arguments that question the racial identity of the hip-hop artist

and the presidential candidate deny the complexity of Blackness.

(Los Angeles Times photo illustration;

photos by Carmen Mandato / Getty Images, Matt Rourke/ Associated Press)

On the same day that former President Trump claimed before a national gathering of Black journalists that Vice President Kamala Harris “was Indian all the way, and then all of a sudden she made a turn, and she became a Black person,” his running mate Sen. JD Vance accused Harris of being a “phony” who “grew up in Canada” (she attended high school in Montreal) and used “a fake Southern accent” at a rally.

Both men’s accusations sound eerily like those leveled against the rapper Drake by his fellow hip-hop titan Kendrick Lamar (and many others) in a rap beef whose effects linger. Drake has been accused of being a “colonizer” whose Canadian identity and eager embrace of various aspects and accents of a wide range of Black culture make him racially suspect.

Such arguments, whether made by racially troubled white men or Black icons, deny the complexity and diversity of Blackness.

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Ironically, that cosmopolitan vision of Blackness is at the heart of the Lamar and Drake dustup. Their kerfuffle — playing out fiercely this spring in a series of releases — is a battle over cultural cachet, racial authenticity and group pride. And it exposes a provincialism that undercuts the global currents of hip-hop.

In his hit “Not Like Us,” Lamar accuses Drake of being a “colonizer” because Drake supposedly “run[s]” to Atlanta to partner with some of the paragons of its trap music to bolster his Blackness. Lamar’s argument echoes long-standing criticisms that Drake’s biracial Canadian roots render him suspect as a bona fide Black artist. Drake’s artistic experimentation with different accents and musical genres has prompted many to claim, as Vance did with Harris, that Drake is a phony.

Lamar’s beef with Drake is rooted in a parochial, claustrophobic vision of Blackness.

Drake grew up in Toronto the son of a Jewish Canadian mother; he spent summers in Memphis, Tenn., with his Black American musician father. His artistic tastes were deeply influenced by a wide swath of the Black diaspora — Afro-Caribbeans, Londoners, American Southerners, especially Memphians, and Torontonians. The multicultural makeup of Toronto, with its sizable Italian, Portuguese, Jamaican and Filipino immigrant populations, also fed his musical appetite.

https://www.latimes.com/opinion/story/2024-08-11/kendrick-lamar-drake-hip-hop-kamala-harris-blackness