Sidney Poitier, 1967, and One of the Most Remarkable Runs in Hollywood History
Five decades ago, at the height of the civil-rights movement, America’s most beloved movie actor was a black man whose three films that year—To Sir, with Love; In the Heat of the Night; and Guess Who’s Coming to Dinner—made him king of the Hollywood box office. How the actor’s coolly uncompromising navigation of that status helped send a pointed message to white America.
by LAURA JACOBS
It was the “long hot summer of 1967,” so called because racial unrest had reached full boil. Riots—“the language of the unheard,” in the words of Martin Luther King Jr.—were exploding in city after city, from Atlanta to Boston, Birmingham to Milwaukee, roaring in Newark and Detroit. Malcolm X had been shot dead two years earlier, and Stokely Carmichael’s Black Power, in all its incendiary eloquence, was sweeping up the young, both black and white. It was slash-and-burn civil-rights activism, and it terrified parents, enraged racists, and unsettled the White House. America the melting pot was a crucible in crisis.
But at the movies, even in the South, the crucible was cool. In 1967 the country’s biggest film star, its most loved actor, was black. He had the self-containment of a cat, the swoop of a hawk, the calm of a saint. His poise was a form of precision, and his precision, intelligence that ran deep. He was Hollywood’s first African-American matinee idol (though technically Bahamian-American) and the last of an Old Hollywood breed—the gentleman hero in the bespoke suit. His name was Sidney Poitier.
http://www.vanityfair.com/hollywood/2017/02/sidney-poitier-remarkable-run-in-hollywood-history
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